Wild White Rose
This five-scene surrealistic play opens as 21-year-old Rose meets Rudolf, and is intrigued by him despite the warnings of her alter egos, Sophie and Eliza, and her brother. Throughout the play, Rose and Rudolf interact as individuals, but also symbolize greater historical forces. Rudolf personifies totalitarian power, while Rose symbolizes youthful but naďve resistance to such power. As members of the play’s Ensemble, Rose’s other selves are feisty (Sophie) and introspective (Eliza), while Rudolf draws upon his own clones who are mirror-images of himself. Rose’s brother, meanwhile, attempts to protect Rose while engaging in his own resistance to unrestrained power, and a Social Elder (also part of the Ensemble) works to restrain Rose by appealing to conservative social morés that define feminine behavior. Together, the characters of the Ensemble should form a social environment for Rose and Rudolf; their blocking and movement always avoids the style of realism.
During the second and third scenes, Rose increasingly becomes more embroiled in Rudolf’s energy, feeling both enervated by his power and inspired by the challenge of resisting him. Images and metaphors of red and white roses pervade the dialogue, as well as the props, drawing upon the historical and cultural implications of both the flowers and their colors. In the fourth scene, Rudolf’s will to dominate comes to fruition in his murder of Rose. But he cannot escape the haunting consequences of his actions, for in the final scene, Rudolf is confronted by Rose’s resurrection as well as by those who are resurrected with her. Her legacy threatens to topple his arrogance and outshine his presumed dominance.
|
Play Structure: |
5 scenes |
|
Cast size: |
8 – 12 |
|
Gender: |
3 female, 1 male, 4-5
mixed-gender ensemble |
|
Period: |
Twentieth-century small-town
time. |
|
Location: |
An older university town with
touches of intellectuality and quaintness, in non-descript country. |
|
Set: |
A bare stage, with movable
blocks and other simple pieces, should accommodate the changes of location. |
|
Props: |
Flowers, leaflets, rocks,
white sheets, orchestral instrument, and bowl and pestle. |
Production History
|
Wild White Rose received its premiere production by The Experimental
Theatre Project (White Cat Productions) at the Chamber Theater in |
|
Rose |
Beth Anne Moceri |
|
Eliza |
Molly Mahar |
|
Sophie |
Jessica Stepka |
|
Rose’s Brother |
Matt Dennie |
|
Rudolf |
Sam Tsubota |
|
Rudolf’s Clone
#1 |
Patrick Allcorn |
|
Rudolf’s Clone #2 |
Gavin Donnellan |
|
Red Orchestra
|
Kira Walker |
|
Social Elders |
Dawn Stoyanoff |
|
Costume Designer |
Margo Walker |
|
Set Designer |
Katie Lawrence |
|
Props Designer |
Katie Lawrence |
|
Lighting Designer |
Monty Taylor |
|
Sound Designer |
Kristin Holsather |
|
Set Specialist |
Bruce Wheelock |
|
Light Operator |
Monty Taylor |
|
Sound Operator |
Roza Skenderova |
|
Set Construction |
Noel Coble Ryan Keyser |
|
Stage Manager |
Roza Skenderova |
|
ASL Interpretation |
Bridget Long Natalie Rush Cynthia Wallace Bernadine Wentland |
|
Poster Design/ Photography |
Ken Holmes |
|
House Managers |
Amy Hartwell Kate Parker |