Obsolete and Small
This
fifteen-minute play is based upon a true case of domestic murders committed
during the 1990’s in
The
play opens with a description of the attack, offered by the parents and
challenged by the son. The parents seek
to learn why he committed such a crime against them, as well as against his
autistic sister, and they castigate him for neither attending the funeral nor
showing respect to his relatives.
Despite his recalcitrance and greed for his pending inheritance, the
mother and father urge their son to confess in order to reassure their broader
community that their deaths did not result from ethnic violence.
But in response, the son can only philosophize about evil and blame his parents for their own victimization. This unresolved conflict brings voice to the previously silent daughter, who proclaims the truth that only hatred could have spawned such violence.
|
Play Structure: |
1 Act: 15-minute play |
|
Cast size: |
4 |
|
Gender: |
2 female, 2 male |
|
Period: |
The present. |
|
Location: |
Ghostly arena of conscience. |
|
Set: |
Bare stage, with perhaps a
few dark boxes, platforms, or catwalks, of various sizes distributed
asymmetrically about the stage. |
Production History
|
Obsolete and Small received its premiere production by Love Creek
Productions at the Harold Clurman Theatre in New
York City on November 25-27, 1996, in its festival “Fear of God: Religion in the ‘90’s”. The play was directed by |
|
Teenage Son |
Eric
Strongbow |
|
Mother |
Scarlett Leas |
|
Father |
Douglas
McKibben |
|
Daughter |
Melinda
Skehan |
|
Obsolete and Small was produced in the Mae West Fest, at the
Capitol Hill Arts Center, in |
|
Teenage Son |
Greg
Bagdasaryan |
|
Mother |
Jessica
Davis |
|
Father |
Jen
Renee Paulson |
|
Daughter |
Kirsten
Helseth |