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Roxanne Linnea Ray |
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DISSERTATION MORTALITY’S REVERBERATING EMBRACE: THE RESONANCE OF DESIRE AND dENIAL
IN cONTEMPORARY pERFORMANCES OF dEATH This dissertation examines performances of death, which
I define as performances whose content centers on the topic of death and
whose formal aesthetic qualities include many of the characteristics of death
elucidated by cultural theorists and scholars. The representation of death in performance
has changed and developed, but rarely has been absent – largely because the
traumatic experience of death remains a source of loss, uncertainty, and pain
for many parts of human society. In an introductory chapter, I develop my methodology by
weaving together strands drawn from psychoanalysis, trauma theory, and
theories of embodiment from semiotics and dance theory, as well as a broad
range of conceptualizations of the phenomenon of death. Furthermore, I assert that the denial or
repression of death continues to hold sway in In my concluding chapter, I assert that music aids each
of these four performances to engage their audiences in a receptive sensory
experience, and I explore how the writing of this dissertation, following
ideas of Blanchot, participates in the very workings of death that it seeks
to investigate. Finally, I argue that
performances of death create an embodied, rather than narrative, testimony
which utilizes the repetition inherent in both performance and trauma in
order to enable an intervention into the repressed (death) and thereby make
possible a performing, rather than
a talking, cure. Chapters: Chapter 1 – Introduction: The Web Woven by the Interplay Between
Death and Performance Chapter 2 – Haunting’s
Perpetual Motion: The Castillo
Theatre’s Production of Heiner Müller’s Germania
3: Ghosts at Dead Man Chapter 3 – Already Dead: Robert Wilson’s The Black Rider: The Casting of the Magic Bullets Chapter 4 – Voices of the
Vanquished: Actualizing Testimony in
the Work of Diamanda Galás Chapter 5 – Always Already
Dead: The Performance of Death in
Contemporary Goth Subculture Chapter 6 – Conclusion: The Resonance of Desire and Denial: Performance Beyond the Opaque Boundary of
Mortality Committee: Advisor: Peggy Phelan, Members: José Estéban Muńoz, Diana Taylor, Readers: Barbara Browning, |
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