Chicken Ranch
This
twenty-five-minute experimental play takes satirical aim at the social swirl of
recent births of septuplets. Three
Mothers highlight the worries and excitement of having multiple births after
undergoing fertility treatment, and the Father expresses his concerns and pride
at his paternal accomplishment. But the
parents also double as prostitutes and client at a brothel, interweaving
solicitations for sex with solicitations for help with the fragile newborn
babies.
Into this mix arrives the Questioner, who interrogates the motives and insecurities at the heart of various expressions of sexuality and the procreative impulse. The play interweaves the dilemmas of such difficult multiple births with other more taboo kinds of sexuality, highlighting common elements of fantasy, scandal, and generosity in realms that appear diametrically opposed. In the end, the play foregrounds both the dreams and disappointments that pervade seemingly unrelated realms of sexual expression.
Play Structure: |
1 Act: 25-minute play |
Cast size: |
5 |
Gender: |
3 female, 2 male |
Period: |
The present. |
Location: |
Wholesome |
Set: |
A mostly bare stage. The Questioner should sit in a large kingly
chair on a platform upleft, a bit apart from the
center-stage action. The downstage
area where the other characters perform should be bare or, at most, dressed
in a surreal fashion with indicators of |
Production History
Chicken Ranch received its premiere production in the Mae West
Fest VII, on the Emmett R. Quady Stage at
Consolidated Works in |
LADY Mother #1 |
Brynn Hambly |
LADY Mother #2 |
Erika Swann |
LADY Mother #3 |
Alison Cole |
FAther Client |
Bob Koerner |
Questioner |
John Ulman |