Those Blackguard Acts
This
three-act drama, set in 19th-century London, opens as young Alexis and Mary are
sent by their father to the city in order to supplement the farm-family’s
wages. In town, they meet Gisela, with
whom they share a cramped apartment.
Alexis follows Gisela into prostitution to pay the rent, while trying to
protect her fragile sister Mary from the ugliness of the city. They later take in Hannah, who has run away
from the brothel run by her mother, Mrs. Harcourt. The girls form three strands which gradually
entwine themselves inextricably in each other’s futures.
During the second act, Alexis fights to free Mary from the
surveillance of the police, who regard all single young women as potential prostitutes
who must be registered with the city. At
the same time, the women care for Hannah as she struggles to heal from a
self-induced abortion. Ladies’ Reform
workers attempt to draw Gisela out of prostitution, while young men continue to
solicit the women for sex. As Mary
prepares to send money to her mother, Alexis must defend the battered Gisela
from a violent customer who follows her to the women’s apartment.
In Act III,
Mrs. Harcourt brings the police to retrieve Hannah from the women’s apartment. However, seeing Hannah’s ill state, Mrs.
Harcourt chooses to abandon her. But the
police take Alexis and Mary in to verify their registration status. Rejected and alone, Hannah drinks herself
into unconsciousness. Gisela resolves to
leave
Play Structure: |
3 Acts: Prologue; Act I, 11 scenes; Act II, 8
scenes; Act III, 3 scenes; Epilogue |
Cast size: |
18, plus male/female voices
offstage |
Gender: |
9 female (one youth); 9 male
(one youth) |
Period: |
1880 |
Location: |
|
Set: |
The stage should be set with
multiple locations, with most scene changes indicated by lighting and focus,
in order to minimize set changes. The
apartment of Alexis and Mary is cramped, dirty, crowded with
mismatched beds and mats, and has a pail in the center of the room. |